Lightning-to-USB 3 Camera Adapter + USB 2-to-Ethernet Adapter to connect an Ethernet cable directly to iPad (be sure to disable Wi-Fi on your iPad when using this connection type) Accessible wireless network (5 Ghz Wi-Fi network recommended), or Qualified Mac or Windows-based computer running any supported EUCON-enabled application and EuControl 2022.12.0 (NOTE: The free EUCON 2022.12.0 software must be downloaded from Avid and installed before using Avid Control).Additionally, the software can be quite expensive, which can be a barrier for some facilities, and make it hard for some to have access to this powerful tool. One issue I have encountered is that the software can be resource-intensive, which can make it difficult to run on older or less powerful computers. While I appreciate its powerful and versatile features, there are a couple of downsides to consider. That consistency has been critical as it maintains the broadcast brand and the overall audio image. The automation features have greatly enable me to precisely control audio levels, panning, and other parameters, which is essential for creating consistent audio levels and maintaining continuity throughout a broadcast. Few DAWs can offer the proficiency of the automation features in ProTools. One of the biggest benefits is its ability to handle multi-channel audio and surround sound formats, which makes it easy to record and edit multiple audio sources simultaneously. In my experience with ProTools in a broadcast facility, I have found it to be a powerful and versatile digital audio workstation. It is a powerful and versatile digital audio workstation that is well-suited for the demands of audio post-production, mixing, and mastering in a broadcast environment PROS While the price has come down recently, I always preferred buying the software outright rather than having to pay monthly. The other thing I would say I don't like about Pro Tools is their subscription service. Also I'd highly suggest using Pro Tools with a Mac and not a PC, as with a PC these issues may be even more elevated. If you aren't running the best computer system ever, you'll be sure to encounter some of these bugs, and there's a good chance you'll still run into them even if you have the top of the line Mac. The main problem with Pro Tools does continue to be the often buggy nature of the software, which often crashes unless you have the most updated software and fastest computer available. While there is a well known laundry list of bugs and issues with Pro Tools, to me the pros outweigh the cons. For this reason it's all the features that I would say is my favorite thing about Pro Tools. While it does have a decently high learning curve, it's precisely this features, short cuts and processes that make it such a thorough program that allows the user to take total control of their work. While I won't necessarily say that it's the best DAW for creating music (that is up to your taste and style), I will say that for the processes mentioned above, it continues to be the most thorough and in depth software for audio. If you're new to the profession and reading this review, I'd highly suggest giving it a try and learning at least the basics! PROSĪs a Pro Tools user of more than 15 years, there are a lot of things I love about Pro Tools! It continues to be the go to software for audio recording, editing and mixing in recording studios across the globe. If you're an audio professional or working as an audio engineer, using and knowing Pro Tools is basically a requirement. It's the one software I'm using all day every day. Simply put, my business and career could not function without Pro Tools. The biggest downside to protools currently is the price, especially now that they’ve moved to the subscription model, but if you know the layout and shortcuts, it’s hard to make the case to go with something else. The rise of faster computers and home studios has given rise to other great DAWs that are functionally quite good and comparably feature wise. If you’re in or working with the music industry, it’s still the standard in many pro studios, but that only matters if you’re moving files back and forth a lot. A good layout, great features and shortcuts, and it lets you do all you need once you put in the time to learn it. ProTools earned the reputation of being the best DAW for a reason in the 90s and 2000s, and it’s still one of the best. Moving from the iLok system was also a good move, but the monthly fee is a hard pill to swallow if you’re not making a living doing audio stuff. I’ve been using PT since it required proprietary hardware, and I’d say it’s improved a lot since then.
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